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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 19, 2020 | Sotheby's | Paris | Art Impressionniste et Moderne | 47 | $****** - ****** | LES DEUX FEMMES ASSISES | |||
Nov 15, 2016 | Sotheby's | New York | Impressionist & Modern Art Day Sale | 139 | $****** - ****** | TORSE DE LA MÉDITERRANÉE | |||
May 5, 2011 | Christie's | New York | Impressionist and Modern Day Sale | 325 | $****** - ****** | Torse à La Chemise | |||
Feb 6, 2007 | Sotheby's | London | Impressionist & Modern Art - Day Sale | 444 | $****** - ****** | Torse classique, la mediterranee | |||
Nov 8, 2006 | Sotheby's | New York | Impressionist & Modern Art - Morning | 115 | $****** - ****** | Torse de la Mediterranee |
sculpture
13 cm (5.12 in)
bronze
Acquired by the present owner in 2006
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Acquis par le propriétaire actuel en 2006
Exposition Maillol au Japon (exhibition catalogue), Tokyo, 1984, no. S-7, another version
Bertrand Lorquin, Aristide Maillol, Geneva, 1994, another version illustrated p. 165
Ursel Berger & Jörg Zutter, Aristide Maillol (exhibition catalogue), New York, 1996, terracotta version illustrated p. 34 (titled Zweit sitzende Frauen)
Gabriele Genge, Artefakt, Fetisch, Skulptur, Aristide Maillol und die Beschreibung des Fremden in der Moderne, Berlin, 2009, terracotta version illustrated p. 118 (titled Zweit sitzende Frauen)
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Exposition Maillol au Japon (catalogue d'exposition), Tokyo, 1984, no. S-7, autre version
Bertrand Lorquin, Aristide Maillol, Genève, 1994, autre version reproduite p. 165
Ursel Berger & Jörg Zutter, Aristide Maillol (catalogue d'exposition), New York, 1996, version en terre cuite reproduite p. 34 (sous le titre Zweit sitzende Frauen)
Gabriele Genge, Artefakt, Fetisch, Skulptur, Aristide Maillol und die Beschreibung des Fremden in der Moderne, Berlin, 2009, version en terre cuite reproduite p. 118 (sous le titre Zweit sitzende Frauen)
The authenticity of this work has been confirmed by Olivier Lorquin. We thank him for having advised us that this bronze was cast during the artist's lifetime.
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signé du monogramme de l'artiste, numéroté 4/6 et porte la marque du fondeur .Alexis Rudier. Fondeur Paris.
bronze
hauteur: 13 cm; 5⅛ in.
Conçu in 1896.
L’authenticité de cette œuvre a été confirmée par Olivier Lorquin. Nous le remercions pour avoir précisé que ce bronze a été fondu du vivant de l’artiste.
